Building on my previous research on non-traditional voiceover in videographic criticism, I use Ridley Scott's House of Gucci (2021) as a pretext to discuss the political implications of the employment of the (Italian) accent in Hollywood cinema, and to experiment with various forms of voiceover, exploring the ideological dimensions they encompass.

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«It is insightful, entertaining and highly inventive, experimenting with a diverse range of videographic techniques and forms of voiceover» 
                                               Ariel Avissar

                                               Video maker and media scholar —Tel Aviv University

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«This video essay builds off her previous work on the subject of the accented video essay, with a once again playful and creative, as well as thought-provoking result»
                                               Libertad Gills
                                               Filmmaker, videoessayist, researcher and critic —Università Svizzera italiana

«Overflowing with ideas and hilarious moments, this personal multi-part investigation of Italian accents in American mainstream cinema feels a lot shorter than it actually is.»

Oswald Iten
Film scholar, video essayist —Lucerne School of Art and Design